Marilyn Manson's U.K. Tour Opening Show Canceled Due to Backlash

Marilyn Manson's late October concert in Brighton has been canceled due to protests from the online campaign "No Stage For Abusers" and Member of Parliament Siân Berry, highlighting the impact of public backlash on artists and venues.

Marilyn Manson's U.K. Tour Opening Show Canceled Due to Backlash

Marilyn Manson's highly anticipated U.K. tour has hit a roadblock with the cancellation of its opening concert in Brighton, England. The show, originally slated for Wednesday, October 29, at the Brighton Centre, will no longer proceed. This decision comes after significant protests and backlash from an influential online campaign group and a prominent Member of Parliament.

The cancellation is a direct result of concerted efforts by "No Stage For Abusers," an online campaign group whose stated mission is "a campaign against abusive men being given a platform to perform." This group actively demanded that both the Brighton Centre and the Brighton and Hove City Council, which owns the venue, revoke the concert permit. Their calls were bolstered by Green Party MP Siân Berry, who publicly expressed her concerns in an open letter addressed to the city council leader, Bella Sankey. The letter garnered further weight through co-signatures from various advocacy groups and the University of Sussex students' union, collectively amplifying the message against the concert.

The protests reflect a broader societal conversation regarding accountability in the entertainment industry and the platforms afforded to individuals facing serious allegations. While the provided details focus on the protests themselves, the campaign's name clearly indicates the underlying reasons for the intense public and political pressure that ultimately led to the show's cancellation. This incident highlights the increasing power of public sentiment and organized activism in influencing decisions made by venues and local authorities regarding controversial performers.

This event serves as a stark reminder that public and political pressure can significantly impact artists' touring plans and venues' programming choices. It underscores a growing demand for ethical considerations to be at the forefront of decisions in the entertainment sector, as communities and advocacy groups continue to push for platforms to be denied to those they deem harmful or abusive. The Brighton cancellation sets a precedent for how public backlash can reshape the live music landscape in the U.K. and beyond.


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